Starfall music peter tchaikovsky3/21/2024 Key of B minor returns in rushing semi-quaver string scales that lead directly to the recapitulation.The music reaches the first real fortissimo climax with a symbol crash, and the Friar Lawrence theme is blasted by trumpets over a rhythmic ostinato taken from the opening of Strife Theme.Brass + Woodwind question each other in antiphonal manner over syncopated string accompaniment.There is a sense of only a vague tonal centre Based on Friar Lawrence Theme and fragments of Strife Theme.A viola F natrual brings the exposition to a close.Harp uses descending alternating chord inversions. ![]() This is used to give the theme a lush, Romantic feel Rubato -> slight speeding up and then slowing down of the tempo.Ascending semiquaver scales on flute + oboe.Use of a dominant pedal in the lower strings and bassoons helps the harmonic suspensions and resolutions throughout this section.Texture - homophonic (Be able to explain).Ascending string scale passage in semiquavers “motif e”.Be able to identify the themes in this section and its musical characterisitcs.Mood = Tension and anticipation increasing and decreasing throughout through the use of shifting block instrumentation, pedal notes + timpani rolls.Dominant feature is Arpeggi on the harp.Instruments = 2 clarinets + 2 bassoons introduce theme but all instruments involved at some stage.Key = F sharp minor (the tonic of the overall overture is B minor).Theme is repeated down a semitone but two octaves higher in flutes + oboes in F minor over pizzicato strings.Played in two parts A chorale progression of woodwind to represent Friar Lawrence and a following ascending + descending pattern in the strings + horns with winds later.Long + slow introduction with many melodic + rhythmic motifs.More confident in style than the expositon.This is essentially a repeat of a exposition but can be very different, with themes omitted and new ones added.The development is usually tense + dramatic.Themes can be played on different instruments, tempo changes, dynamic changes, different keys, repitions of motifs, etc.Composer can experiment with 1 or 2 more themes from exposition.Other material, including other themes, may appear between and after Subject 1 + Subject 2.Subject 2 will be in contrast to Subject 1.There are 2 distinct groupings: Subject 1, Subject 2 A type of composition in three sections (exposition, development and recapitulation) in which two themes or subjects are explored according to set key relationships.Syncopation - Stress on a weaker note to liven up the rhythm.Dactyl Rhythm - 1 long note and 2 short notes.Describe/Compare/Contrast the music that appears immediately before or after the excerpt given.Compare and contrast all appearances of the themes.While this does not appear as a separate area of study, it appears frequently on the exam paper.Sequential writing - Friar Lawrence theme heard in F# minor, F minor and E minor. ![]() Descending chromatic figure against sequences (bar 206-210) - heightens tensions and leads to climax.Juxtaposition of different sections of the orchestra e.g.Modulations to unrelated keys: Db major Love Theme bar 184įeatures of Tchaikovsky’s Individual Style.Expansion in the size and range of instruments in the orchestra - creates greater orchestral colour.Music becomes more descriptive - programme music.Greater emphasis on individual expressional of emotion.Love Theme on Viola and Cor Anglais accompanied by French Horn. ![]()
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